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Jim
Billy D Light Checking in
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Re: Billy D Light Checking in
Bob Shade Said
Hey Billy D! Good to hear from you!
I love seeing your son and his group!
Bob
Thanks Bob, you know they are not currently endorsed

Oh I almost forgot one other Mosrite Type guitar


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Re: Billy D Light Checking in
Say, that is a cool looking guitar you have there Billy D!
I don't see the turbine lit. It was most likely a weekeday when the pic was taken. I know you can't just go around firing the turbine up during the week and all. Actually, the led's will not drain much power from the 2- 9 volt batteries so feel free to leave it on during performances. The batteries last a very long time.
BTW, we can make the Wing-Bat with 2 pickups for anyone who would like the option.
Ignition to power, turbine to speed............. Bob
I don't see the turbine lit. It was most likely a weekeday when the pic was taken. I know you can't just go around firing the turbine up during the week and all. Actually, the led's will not drain much power from the 2- 9 volt batteries so feel free to leave it on during performances. The batteries last a very long time.
BTW, we can make the Wing-Bat with 2 pickups for anyone who would like the option.
Ignition to power, turbine to speed............. Bob
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Re: Billy D Light Checking in
Welcome Billy. I'm in ahh of your's and other TNM Doublenecks . How much do you really use the Octave neck?
- mark1
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Re: Billy D Light Checking in
Billy, looks like your using a Fulltone TTE. How do you like it? I collect tape echo machines and the TTE puts the Echoplex to shame, I think!
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Re: Billy D Light Checking in
Man I'd love a two p'up Batwing. Can I send her back for an upgrade, like Semi used to do? As for the doubleneck? I use the octave neck all the time. Love it. Thanks for the kind words.
The TTE rocks however I find my Carl Martin Anologue delay sounds just as good so I use the TTE for studio and the Carl Marti n for live work
The TTE rocks however I find my Carl Martin Anologue delay sounds just as good so I use the TTE for studio and the Carl Marti n for live work
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