paulybass52 wrote:when I use Mo,I immediately have to turn down the volume to 1/2 compared to the Fender
I tried to get Paul to join the forum but no dice....haha I guess he's just not much of a "forum" type of person.
That's 100% true - both his Mosrite basses have stupendously high output, although I think the beat-up black bass is noticeably hotter than the sunburst, in spite of them being set up with identical pickup height.
His sunburst bass looks exactly like yours, Pauly, sunburst headstock and all...it's in really beautiful shape, with only a couple of minor dings around the bottom edge and very little other signs of wear and tear. The neck is puny and it is a real breeze to play.

The black one is another story entirely...it looks like someone tied it to a car bumper and dragged it to a couple of gigs that way. Lots of paint missing around the lower body edge, and lots of signs of years and years of heavy play. He got it with one replaced tuner and it took him several years to find another "duckfoot" on ebay haha. It has a slightly thicker neck and, like I mentioned, more output.

He plays these through a blackface Dual Showman and a 2x15 cab with Weber NeoMags in it, occasionally using a clone of a Maestro Brassmaster for fuzz. In spite of the Mosrite's absurd output, his stage volume is usually 7 or 8! He was always loud as heck when he played the Jazz Bass, but when he sold it and got the Mosrite I just thought his tone improved in every possible way. If he wants a Fender-esque tone, he uses his SB-5A, which gets a totally credible Jazz Bass sound. I don't see the Danelectro Longhorn as often as I used to but I';m sure he'll go through a phase of using it again haha.