Hey there--
I've actually got a great picture of Lorrie's headstock on my darn cell phone, but I can't figure out how to download the pics off of my cell phone on to my computer...???
Here's the story on Lorrie's guitar. It started out life as a Martin D-18, and around 1953 she got a pickguard put on it at Paul Bigsby's shop, and it was Semie who did the work. There are NO photos of the guitar with the Bigsby pickguard that I've seen, but I have seen of all things a Super 8 home movie that showed it in this early state!
Then about 1956 Semie put a new custom neck on it, with the early 6-on-a-side headstock. However, the headstock is much more refined on Lorrie's guitar than on the other examples I posted photos of. For one thing, Semie finally figured out how to make a Kluson 6-on-a-side set like a Fender or a Bigsby guitar, instead of using 3 and 3 Left and Right side tuners. Also the inlay work is much more advanced. Semie really did a nice job on Lorrie's guitar, you can tell he put everything into that one, because he knew it would be seen on TV!
I've attached a photo here from the "Town Hall Party" album cover, you can see not only Lorrie's guitar but also Larry's doubleneck with the early headstocks and Johnny Bond's guitar too. About a year later Larry got his necks redone to have the big 3-on-a-side headstocks.
The Johnny Bond guitar is on permanent display at the Autry Western Heritage Museum in Los Angeles in Griffith Park near the zoo, if you're a guitar nut like me you can go see it there. IT still has the early headstock.
Like I said, Semie finally changed the design because too many people were confusing it with Bigsby's headstock design, and by 1957 he had redone Joe Maphis and Larry Collins' doublenecks to have the 3-on-a-side headstock.
Whew, if I type the word "headstock" one more time I think my head might explode. ha!
Deke
