Hey, Sarah--
>>I get the feeling that generally on the Gretsch forum, a bolt on neck
>>is considered inferior to a set neck.
I used to think that, but not any more. My Celebrity and my Stradette have taught me otherwise.
Not to mention my '51 Reissue Precision bass.
As long as the pocket/neck are tight and fitted properly, it appears that there actually might be a mechanical advantage to a bolt-on neck.
Now, I am talking about electric instruments, though I have had some custom acoustic guitars with bolt-on necks that were wonderful. But they were not the same type of bolt-on neck arrangement we are talking about here.
--Jim
A question about tuners
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Re: A question about tuners
JimPage wrote:Hey, Sarah--
>>I get the feeling that generally on the Gretsch forum, a bolt on neck
>>is considered inferior to a set neck.
I used to think that, but not any more. My Celebrity and my Stradette have taught me otherwise.
Not to mention my '51 Reissue Precision bass.
As long as the pocket/neck are tight and fitted properly, it appears that there actually might be a mechanical advantage to a bolt-on neck.
Now, I am talking about electric instruments, though I have had some custom acoustic guitars with bolt-on necks that were wonderful. But they were not the same type of bolt-on neck arrangement we are talking about here.
--Jim
I agree with you Jim. I prefer the bolt on neck as I can do a little shimming if necessary to improve the neck angle if need be.
____________________
1965 Mosrite Celebrity Prototype with Vibramute
1972 Mosrite Celebrity-III
1977 Gibson MK-53
1982 Fender Bullet
1994 Gretsch Streamliner G3155 Custom
2005 Gibson Les Paul Standard Plus
2006 Jude Les Paul 12 String
1965 Mosrite Celebrity Prototype with Vibramute
1972 Mosrite Celebrity-III
1977 Gibson MK-53
1982 Fender Bullet
1994 Gretsch Streamliner G3155 Custom
2005 Gibson Les Paul Standard Plus
2006 Jude Les Paul 12 String
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