Modeling guitars, anyone?
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Re: Modeling guitars, anyone?
Our lead singer owns one. They are not bad, just not 'authentic' sounding. And my God, that guitar sucks batteries like a Caddy sucks gas!!
make the Mos' of it, choose the 'rite stuff.
.........Owner of 9 Mosrites...
.....proud owner and documented:
1963 "the Ventures" Model s/n #0038
http://www.thevintagerockproject.com/
.........Owner of 9 Mosrites...
.....proud owner and documented:
1963 "the Ventures" Model s/n #0038
http://www.thevintagerockproject.com/
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Re: Modeling guitars, anyone?
I think that most people approached the guitar as a modeling guitar to achieve authentic guitar sounds which is really a mistake. I feel that any guitar of that nature should be utilized to achieve sounds that are not capable via a standard guitar/amp set up. Bands like Genesis, King Crimson, Yes, Radiohead and their ilk would obviously have way more uses for the modeling functions then say a surf or country band.
It was really an instrument for a niche market. Kudos to Fender and Roland for attempting something new while using a familiar iconic instrument.
It was really an instrument for a niche market. Kudos to Fender and Roland for attempting something new while using a familiar iconic instrument.
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Re: Modeling guitars, anyone?
When the Line 6 Variax came out I was really intrigued. It looked like a godsend for guys like me who played Top-40. (I still would be, if there were any gigs left.) My impression was that the sounds were decent--some were really cool (the sitar was lots of fun)--but the dynamics left a lot to be desired. I felt like I was playing through a compressor that was sucking out the pick attack--everything felt slightly delayed, and my picking dynamics weren't coming through very well. So, nice try, close but no cigar--if it doesn't respond like a guitar, it doesn't matter how cool the sounds are--I can't use it.
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